Or Choose Intensity Extreme depending what suite or lab you are using Note these features are only available in CMB 4.112 Graduate Hallway, CMB 4.120 Undergraduate Edit Suite and CMB 1st floor suites.If you are not in these rooms you will not see the Intensity devices as a choice for input and output to the exturnal monitor.Change the Control Panels to the Tangent Devices Wave or AVID Artist Color if one is connected.Click Save to apply changes Unfortunately you have to restart Davinci to load the preferences.
Quit the program and choose to save then reopen using the steps above. Click on the Project Settings Icon in the lower right corner of the screen Go to Autosave and turn it on saving every 10 min Click on Capture and Playback and choose Video Capture and Playback HD 1080PsF 23.976 Click on Master Project Settings Change the Timeline Resolutionplayback frame rate to 23.976 Change Playback frame rate to 23.976 Video Monitoring choose HD 1080PsF 23.976 Choose Save to apply these preferences Now load your media into the media pool Navigate to the folder containing the media and select Add Folder to Media Pool Create a Timeline Go to Edit Tab Go to FileNew Timeline Name it Select all the files in the Media Pool that you want to use Add a LUT to them or not. Davinci Resolve Media Offline 1080P 36 8Note if you are transcoding A7s footage and want it to have that film look the best LUT to use is the 3D LUT Arri Arri Alexa LogC to Rec709 Drag to timeline or choose to right click and Insert Selected Clips to Timeline The go to the Deliver tab Choose to Render the Entire Timeline Click on Render Settings and use the slider to navigate to the AVID AAF tab Click on Browse to select the hard drive and folder you want to render to Navigate to the hard drive and you can choose to Add a new folder if needed Name your new folder and click OK Make sure you select the newly created folder and click OK Choose Video Format MXF OP-Atom Codec DNxHD 1080p 36 8-bit if you are doing a offline or proxy version of the media. If you dont want to return to resolve and do an Online and or Conform then choose a codec that you can deliver for screening and distribution. Choose Video Format MXF OP-Atom Codec DNxHD 1080p 220185175 10-bit Click on the Audio tab Check the box for Export Audio if you want to export Audio Do NOT choose Same As Source for the Channels drop down. Make sure to choose 2 for the Channels drop down. Codec Linear PCM Channels 2 Bit Depth 16 Tracks One per channel (if your audio still comes out as static, try changing the bit depth to 24) Click on Add to Render Queue Choose to Start Render once the Job has been added to the Render Queue Job has completed. The files need to be added to AVID MediFiles Folder Quit ResolveSave the project. Davinci Resolve Media Offline Mac Copy OrDaVinci Resolve - How to Relink Offline Media from a Exported Project In Finder on the Mac Copy or Move the.mxf files to the AVID MediaFilesMXF1 folder This is so AVID can see the files when the.aaf file is imported. TO COPY FILES OVER TO SHARED STORAGE LIKE EditShare or AVID ISIS Servers use this workflow AVID - ISIS 5500 Server - Media Management Once the files are copied over Launch AVID Make a new AVID Project or use an Existing one Make a New Bin Title the new bin My XAVC Transcoded Footage Go to FileImport Navigate to the.aaf file in the Resolve exported media folder and select it. Edit the files in AVID developing a picture locked sequence that you can then export out of AVID back into Resolve. Option 1 AVID - How to Export an AAF and QuickTime To Davinci Resolve 1080 HD workflow Option 2 AVID Relinking to Native files for.aaf and QuickTime export to Davinci Resolve Bring the.aaf from AVID back into Resolve FileImport AAF, EDL, XML Select the.aaf to import Keep the default settings if you would like to guide Resolve to the files to bring into the media pool. See later in this document for adding media prior to importing into Resolve. Select Yes Search for the folder containing the.mxf Navigate to the folder and click OK Second option is to add the media to the resolve project first Load your media into the media pool Navigate to the folder containing the media and select Add Folder to Media Pool FileImport AAF, EDL, XML Select the.aaf to import If you already added your files to the Media Pool then choose to deselect Automatically set project settings and Automatically import source clips into media pool Hopefully you will link all the media with out a problem the following is some troubleshooting tips... Example here of problems with some of the clips To view what is missing easier click on the Color tab Then click on the Light Box View Here we can see what is missing easier. Davinci Resolve Media Offline How To QuickTime IntoYou can right click to see clip info Clip info The Next Steps will Explain how to QuickTime into the Resolve Project Click on the Media Tab Go the the Library navigate to the folder containing the quicktime and right click it Right click and choose Add as Offline Reference Clip Go to the Edit tab and Go to the Resolve timeline that was created from the.aaf Right click on the timeline and Choose Link Offline Reference Clip Choose the QuickTime that you exported Go to the Timelines bin and choose the timeline right click it choose to link offline video and choose the name of the quicktime you just added as the offline clip Go to the source window in conform view and choose to display the Offline by selecting the checkerboard icon.
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