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It can create a sonic quality and impression of dynamic range that belies the degree to which the programme is actually being limited.Īs an example of the difference this can make, if slower attack settings are used without Powerful way to include transients in the output programme that would normally be removed by conventional limiting processes. Sample value overloads will occur from the plug-in, regardless ofĪ combination of slower attack times and the enhancement process is therefore a very ProvidingĮNHANCE fader is set to 100% or more in Normal Mode, no output Peak overshoots resulting from a combination of the programme material and the action of the Pre-Process stage are then passed to the enhancement section where their sonic signatures can be added to the final programme sound. Since the plug-in has internal headroom, these overshoot peaks are retained and Improvement in the sonic qualities of the peak reduction process, by allowing peak programme transient events to escape hard gain reduction. Settings above 100 are most useful when the programme type is intended to be very loud, or where extra distortion may actually prove advantageous within the. Respect to continuous sine input conditions).ĪTTACK fader allows the attack time to be increased to achieve a favourable
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Within a very small margin (less than +0.25dB, with bxlimiter offers a great sounding limiter algorithm. Therefore, at the fastest setting of the attack control, programme peaks are controlled These plugins work best - and most importantly sound best - when they dont have TOO MUCH limiting to do. ATTACK timing control is a significant departureįrom conventional limiter applications, and requires some explanation for the best results.īecause the level detection within the plug-in looks ahead of the gain control, peaks in the programme material are acted upon in advance of the gain reduction process.